It's no closer. It's still ridicules fascism, as was Verhoeven's intent, and it still posits his specific choice of using hordes of troops,
All Quiet on the Western Front-style, rather than the small, elite forces of the novel. It's the movie with a facelift. It's only at the end title of the AI production that we get anything approaching the novel, specifically this cover.
It's still pretty, and the movie is one interpretation of the book focusing on themes the director has a personal, visceral relationship to.