Yeesh. Yeah I wanted to come back and expand on this much sooner but my office chair is getting bad and laptop is bad for writing anything of any length.
So the themes I wanted to go for in the Weapons of War saga:
I'll start with the one I think I pulled off the best. Vicky was a cut above the other Caspar AIs and was learning and growing. I still think I didn't get enough disciplinarian/harsh military pragmatism to come through but overall how her and Helena were rubbing off on each other I am largely happy with.
Then there was my bad idea of wanting a Cameron to be the ultimate hero with a truly epic confrontation with what I view as the ultimate expression of human hubris, corruption, and entitlement otherwise known as Alaric Ward.
Which is not a bad idea in of itself but where I let myself get trapped was that I decided that meant that things needed to play out much as they did in canon. Without a lot of good ideas for how to handle that I really had to do some hard handwaving and as mentioned actually go against a lot of the character development I had done for Helena. At least it felt like it to me.
I will admit I'm waffling on if I should do as I said and re-write or just go with it as is.
I can see a couple of directions you might go to get your "alaric gets a spankin' storyline going off the base metal.
1. after that last fight there's an accident and Helena has to start over again...centuries after. This can be a freezer accident, misjump (Not like those aren't historical), swing-too-close to a wandering hypermass...
something that lets you slide her past the events in canon without meaning to.
2. retreading in the deepest end of the deep periphery. This presents the problem of shifting priorities if you plant her in a Foundation scenario.